When listening to soundtracks, I frequently like to listen to the tracks chronologically (i.e. in the order they were used in the film). So I thought I’d share that playlist-like order for “Guardians Of The Galaxy Vol. 2: Awesome Mix Vol. 2“. I’ve also tried to provide spoiler-free alternate titles for the scenes that go with song. Enjoy! “Brandy You’re a Fine Girl” – Looking Glass Prologue “Mr. Blue Sky” – Electric Light Orchestra Defending the batteries “Lake Shore Drive” – Aliotta Haynes Jeremiah Leaving the Sovereign “The Chain” – Fleetwood Mac Leaving with Ego “Southern Nights” – Glen Campbell Rocket on the prowl “My Sweet Lord” – George Harrison Ego’s planet “Come a Little Bit Closer” – Jay and the Americans Yondu’s escape “Bring it On Home to Me” – Sam Cooke This unspoken thing between us “Brandy You’re a Fine Girl” (Reprise) Ego consoles Peter “Wham Bang Shang-A-Lang” … Continue reading →
Build a Habit-Robot in your Brain (from Scott Adams’ Blog) I find myself further and further fascinated with Scott’s musings, but this one was especially poignant given the number of “what’s going on inside their head” things that I’ve encountered this year (Disney Pixar’s Inside Out and Kristen Anderson-Lopez/Robert Lopez’ Up Here!). Where the Palm Meets the Pine (from A Geographer’s Scrapbook) This was a fascinating article to read that was randomly posted in an internal work email and something I’ll have to remember to keep an eye out for next time I’m driving north!
Original Article on Empire.com So after a friend posted this article and I started reading it, I almost immediately knew I wanted to tally my scores. But then above and beyond that, my wifey and I actually started arguing about the authenticity of this list! She started questioning it at “Over The Hedge” (comic strip vs. comic book) but it really got crazy at “The Fountain” (she felt that if it was always intended to be a movie, then what’s to keep this list from saying that “you probably didn’t know that Pride & Prejudice was a comic book” (which it is)). Being a pig-headed boy, it took me a while to understand her argument, but when I finally did get it, I heartily agreed with her. But I still wanted to tally my scores, so, without further ado: the categories for scoring and the numbers on the list! Films … Continue reading →
I loved Pete’s Dragon growing up, then come to find that Doc Terminus also portrayed Barnum in Cy Coleman’s musical biography of Phineas Taylor was almost too much. And then he goes and narrates Pushing Daisies (one of my favorite cancelled shows of all time)! And he’s the audio book reader for the Harry Potter books? Get out. Just get out! So when I stumbled across Scott Kurtz’ tribute to Pete’s Dragon, I couldn’t help but squeal. 🙂 Every Little Piece – PVPOnline by Scott Kurtz For further enjoyment, here’s the original song that Scott is referencing.
Really fun! First prequel that Pixar has done. Great music by Randy Newman. OH MY GOODNESS NATHAN FILLION!!!!! I knew Johnny Worthington sounded familiar, but I couldn’t really place it. Although the same thing happened with all of the voices (except for the big three who came back from the first movie), which is weird (for me anyways). Great tie-in to the existing universe (although one of my cousins pointed out that a line from the first movie presents a problem – spoiler below). In Monsters, Inc., when Mike and Sulley walked through Monstropolis to go to the company, Mike said to Sulley “You’ve been jealous of my good looks since the fourth grade”. In this film, we’re told Mike and Sulley met in college. [In the commentary, director Dan Scanlon explained that there was a lengthy scene that would have followed Mike and Sully throughout their years in elementary … Continue reading →
As good as the Avengers (2012) AND it made good on every promise that The Matrix movies (1999, 2003) made but failed to deliver on (don’t laugh, consider that this is coming from me, a hardcore fan of the Matrix movies). With the death of Zod and Kal-El’s very evident anguish over his actions, I was very much reminded of the Doctor Who episode where The Master dies without regenerating despite Tenant begging him to. That same anguish is in Cavill’s performance, with him knowing that “we’re the only two left, don’t make me do this”. In the same vein as the spoiler, looking back on the music (which was gorgeous), I find myself hearing the 4-beats-drums-of-war from The Master’s mind (Doctor Who). Very interesting commentary from one of my favorite comic book writers, Mark Waid.
C:\>tracert 22.214.171.124 Tracing route to FIN [126.96.36.199] over a maximum of 30 hops: 3 6 ms 6 ms 3 ms cr83.la2ca.ip.att.net [188.8.131.52] 4 6 ms 3 ms 3 ms cr1.la2ca.ip.att.net [184.108.40.206] 5 2 ms 2 ms 2 ms la2ca02jt.ip.att.net [220.127.116.11] 6 2 ms 2 ms 2 ms xe-9-2-0.lax30.ip4.tinet.net [18.104.22.168] 7 76 ms 55 ms 55 ms xe-2-0-0.atl11.ip4.tinet.net [22.214.171.124] 8 60 ms 56 ms 57 ms epik-networks-gw.ip4.tinet.net [126.96.36.199] 9 56 ms 56 ms 56 ms po0-3.dsr2.atl.epikip.net [188.8.131.52] 10 * * * Request timed out. 11 97 ms 95 ms 95 ms episode.iv [184.108.40.206] 12 131 ms * 100 ms a.new.hope [220.127.116.11] 13 94 ms 97 ms 96 ms it.is.a.period.of.civil.war [18.104.22.168] 14 98 ms 94 ms 102 ms rebel.spaceships [22.214.171.124] 15 100 ms 106 ms 95 ms striking.from.a.hidden.base [126.96.36.199] 16 95 ms 121 ms 171 ms have.won.their.first.victory [188.8.131.52] 17 173 ms 158 ms 153 ms against.the.evil.galactic.empire [184.108.40.206] 18 127 ms 150 ms … Continue reading →
Absolutely brilliant! Love how the performances are so raw and imperfectly perfect, and that they were allowed to make acting choices since they were all singing live to just a piano accompaniment. And how a lot of the final shots used in the film are like complete 2-3 minute takes. And you’re in their face, feeling the emotion pour out of them. Just…gah! Brilliant. Russel Crowe was just as imperfect as the rest of them, stop whinging about it! It’s been interesting to hear opinions/reflections from others though. Most interesting to consider that the film is more of a love letter to Les Miserables than amazing cinema. I mean definitely worth seeing once, but other than that, it’s kind of unadventurous as cinema. The cameras kind of just swallow the actors. Someone from The New Yorker offers up a sarcasm laden fest regarding why Les Mis isn’t any good. And … Continue reading →
I like Bofur, Balin, and maybe Dwalin. Possibly Ori’s face. 😉 Love, love, LOVE the Misty Mountains! Love that its the prequel trilogy theme. Also love the restrained callbacks to the original trilogy (only when it fits PERFECTLY). Add to this the fact that the songs are coming 99% directly from the text and I’m pleased as punch (that 1% is for making the song structures more palatable to human ears *wink*). Blunt the knives also makes me grin. Yay Lee Pace as Thranduril! Love seeing the Piemaker not interacting with stupid talking dogs. I also love how Peter Jackson is bringing in all these disparate pieces from Tolkien’s mythology (instead of Gandalf just going away and returning with a one sentence summary of what he did). It’s like he’s trying to construct the prequel trilogy that our generation deserves! Yay Andy Serkis as the second unit director! I mean … Continue reading →
Very nice. Very nice indeed. Yay Len Wiseman (aka Mr. Kate Beckinsale). And yay Kurt Wimmer (whom I recall from Equilibrium). It was interesting to me that Jessica Biel’s character name is voiced only once in the entire film. Really want to read “ÂWe Can Remember It For You Wholesale”Â now and look at where things were pulled from. Very nice touches / references / homages to the first film. Thankfully it was far less campy.